reede, 10. mai 2019

INTRODUCTION

I am the producer of the short psychological thriller “Nihil“ which tells the story of Adam (25),who suddenly wakes up in the middle of a lavender field, cold and lost. Asking for help, Adam seems to be ignored by all the odd people he encounters until he realises that he is not being ignored but unseen.

Throughout Adam’s unfortunate story, we wanted to portray the limits of existence by intensifying a universal feeling of physical and emotional loneliness which allows the audience to identify with our main character and wonder about the limits of their own existence.


As a producer my aim was to build an audience for “Nihil“ in a crowded marketplace on zero budget. I intended to do so by convincing the potential audience to identify with the film already in an early stage (Jones, Zinnes, Jolliffe, 2010) mainly through the use of three main marketing tools which are poster, teaser and trailer. 

Through my research I came to a conclusion that when marketing “Nihil“, it is important to keep in mind its genre, theme and target audience. When designing the traditional tools of marketing I intended to take on a minimalist approach which would let the artwork speak for itself giving the audience a clear understanding of the genre and theme of the film while creating secrecy around the plot. I planned on giving clues to the audience through online puzzles and games which would create interest and connect the story to a wider topic to allow the target audience to identify with the main character. I intended to do the marketing through social media with the help of the film crew’s closest friends and family as well as known personas on social media to reach our target audience and save money.

PART I


PART II


PART III


PART IV


CONCLUSION

I believe I had set myself great aims in regards of marketing our short film. Never the less I underestimated  the power of marketing. As a producer I was busy with other areas of the production and therefore I didn’t pay much attention to its importance. Even though I was very busy myself I should have found another person who was passionate about the area and would have put a lot of effort into it. Another mistake of mine was time management. I always felt like I had a lot to do, but with managing mine and the whole group’s time in a better way, we could have done it as a team. Due to bad time management I didn’t follow through the plans I had set myself as a producer in the beginning of the year. I believe that through research I had come up with a marketing strategy that could have helped us build a bigger audience if followed correctly. Moving forward I would definitely make a more detailed schedule and add marketing as an important area of production. I learned that following the schedule is the key to good time management and tasks should be shared equally, that is why we are working in teams. 

BIBLIOGRAPHY

Aladdin (2019), n.d poster, viewed 11 May 2019, https://www.imdb.com/title/tt6139732/.

Bernazzani, S. 2017. What Marketers Can Learn from The Success of Moonlight. [ONLINE] Available at: https://thinkgrowth.org/what-marketers-can-learn-from-the-success-of-moonlight-ce05a1fc45b9. [Accessed 11 May 2019].

Black Panther (2018), n.d poster, viewed 11 May 2019, https://www.imdb.com/title/tt1825683/.

Data Is Beautiful. (2019). Growth of Social Media (Facebook, Youtube, Instagram, Twitter, Snapchat) 2004-2019. [Youtube Video]. Available at: https://www.youtube.com/watch?v=j1fPkXgHQ4o. [Accessed 11 May 2019]

Fandom Entertainment. (2011). 'The Hunger Games' Poster Puzzle Hunt. [Youtube Video]. Available at: https://www.youtube.com/watch?v=AbA-pIEe1WM. [Accessed 11 May 2019].

Finney, A., Triana, E. 2015. The International Film Business A Market Guide Beyond Hollywood. 2nd ed. Oxon: Routledge.

I Can Only Imagine (2018), n.d poster, viewed 11 May 2019, https://www.imdb.com/title/tt6450186/.

IgniteVisibility. (2017). How To Get Your First 10,000 Instagram Followers (Without Buying Them), John Lincoln. [Youtube Video]. Available at: https://www.youtube.com/watch?v=97gwDbXalBI. [Accessed 11 May 2019].

Jones, C., Zinnes, A., Jolliffe, G. 2010. The Guerilla Film Makers Pocketbook: The Ultimate Guide to Digital Film Making!. London: Bloomsbury Academic.

Kerrigan, F. 2010. Film Marketing. Oxford: Elsevier Ltd.

Lynes, S. 2011. Marketing of Inception. [ONLINE] Available at: https://www.slideshare.net/SianLynes/marketing-of-inception. [Accessed 11 May 2019].

Mardo, P. 2018. The Magical Marketing on Moonlight. [ONLINE] Available at: https://filmschoolrejects.com/the-magical-marketing-of-moonlight-7b7096d296a2/. [Accessed 11 May 2019].

Moonlight Poster, n.d poster, viewed 11 May 2019, http://www.impawards.com/2016/moonlight_ver4.html.

On3Voic3. (2016). Clock ticking fast. [Youtube Video]. Available at: https://www.youtube.com/watch?v=h7TvLqDcOrc. [Accessed 11 May 2019].

Pac Prints buy one get one free THE GREATEST SHOWMAN - Hugh Jackman - U.S Movie Wall Poster Print - 30CM X 43CM 2 1, n.d poster, viewed 11 May 2019, https://www.amazon.co.uk/Pac-Prints-buy-one-free/dp/B077MZ4Z1M.

Pew research Center. 2017. Internet use by age. [ONLINE] Available at: http://www.pewinternet.org/chart/internet-use-by-age/. [Accessed 11 May 2019].

Silver, J. 1999. The Blair Witch Project : a marketing case study. [CASE STUDY] Available at: https://eprints.qut.edu.au/41191/1/BLAIR_WITCH_Unpublished_Teaching_Case_Study_Jon_Silver_%28199 9%29.pdf. [Accessed 11 May 2019]

Thilk, C. 2010. Movie Marketing Madness: Inception. [ONLINE] Available at: https://christhilk.com/2010/07/15/movie-marketing-madness-inception/. [Accessed 11 May 2019].

Time To Log Off. (2019). DIGITAL DETOX CAMPAIGNS. [ONLINE] Available at: https://www.itstimetologoff.com/digital-detox-campaigns/. [Accessed 11 May 2019].